Author Archives: Jayson Gallaway

December 31, 2025

There comes a moment, dear reader – usually sometime between the third whiskey and the creeping suspicion that the universe is laughing at you rather than with you – when a person must plant a flag in the scorched earth of his own life and declare, loudly, profanely, and with the kind of reckless optimism that borders on a diagnosable condition, that next year will be different.

And by Christ, 2026 is going to be different.  This is the year I ascend.  This is the year I transcend the mundane filth of mediocrity and carve my name into the bedrock of history with a rusty spoon if I have to.
Resolutions are usually the lies we tell ourselves to stave off the crushing weight of our own inadequacy, little sticky notes of hope we slap onto the refrigerator of our souls.  “Eat more kale.”  “Call mom.”  “Stop arguing with strangers on X about the socio-economic implications of Freddy Got Fingered.”  Pathetic.  No, my resolutions for 2026 are not mere suggestions; they are commands issued from the burning bush of my own ego.  They are tripartite, a holy trinity of self-actualization that will either kill me or make me a god.

  1. Sell the Goddamn Book
    The publishing industry is a shark tank filled with people who wear scarves indoors and use the word “synergy” unironically.  I hate them.  I need them.  My resolution is to sell this damn thing…to force some poor, unsuspecting editor at a major house (expect a phone call, Luke) to look at my genius and weep tears of joy and terror.  All the folks on X have been wondering why I’m going the traditional publishing route rather than self-publishing.  Their arguments are compelling.  And one never knows.  One thing is certain: Ima get paid!

2. Get My Black Belt
I’ve been training for years, and I now have a red belt – the one before black. I can disarm a knife- or gun-wielding lunatic before my morning coffee and fight my way out of an attempted bear hug from a Russian mobster built like a refrigerator, all while composing a pithy inner monologue.  Though the red belt is pretty sexy, I want the belt that says: this man has kicked enough metaphorical and literal ass to be dangerous in polite company.  The belt that requires sweat, blood, bruises, discipline, and the occasional moment of clarity while face-down on a dojo mat.  By the end of 2026, I want to tie that thing around my waist and feel the quiet, smug satisfaction of someone who has weaponized his body and his attitude.

3. Become Unbeatable at Chess
I’ve been locked in an all-out blitzkrieg campaign to drag my chess game out of the primordial ooze and up onto Grandmaster Beach all year, and honestly, the results are frightening – for my opponents, anyway.  Heh.  Gone are the days where I’d blunder a rook because I was too distracted plotting my next snack run.  This year was about openings, endgames, tactical drills that melted my corneas, and embarrassing a fair few cocky strangers (and at least one exceptionally smug AI that now twitches at the name Carlsen).

But 2026?  That’s the year I bring utter annihilation to the 64 squares. Frankly, I’m tired of losing to online avatars with names like “KnightDaddy420.”  I’m coming for your bishops, your pawns, your dignity.  I will turn trash talk into an art form, sprinkle humiliations like confetti at a Soviet New Year, and my Queen’s Gambit will haunt your dreams.  Prepare to be obliterated.
So, dear reader, wish me luck.  Or don’t.  I’ll do it anyway.
Here’s to 2026: the year I sell the book, earn the belt, conquer the board, and generally behave like a man who refuses to accept the small, quiet life the universe keeps trying to hand him.
Raise a glass.  Light a fuse.  Kick the damn door in.  We’re coming in loud.

N.P.: “Kiss This” – The Struts

December 29, 2025

The late 70s were a pretty wild time to be alive (especially if you were hoping to stay that way) in the U.S.  It didn’t just seem like there were suddenly serial killers everywhere…there really were suddenly serial killers everywhere.  My family took a summer vacation in 1976 that found us in New York City when the Son of Sam was doing his thing.  Shortly after that, the whole country learned that Ted Bundy was loose and driving around what seemed like the entire United States killing women.  Shortly after that, John Wayne Gacy was arrested and they started pulling dozens of bodies from under the crawlspace of his house.

Meanwhile, here in my own backyard in Sacramento, the man who would eventually become known as the Golden State Killer was known as the East Area Rapist, and each week, the news would report another attack in neighborhoods I was very familiar with.

And right in the middle of all that, a vampire came to Sacramento.

December 29th, 1977, while the rest of the nation was still wrestling with the bloated ghost of Christmas turkey past, something altogether less festive was uncording itself in the sun-bleached, spiritually bankrupt suburbs of Sac Town.

Enter Richard Chase, a man whose internal landscape was a topographical map of Hell designed by a committee of amphetamine-addled surrealists.  Here was a specimen of late-20th-century Americana so profoundly broken, so spectacularly miswired, that he makes your normal, friendly neighborhood psychopath look like a reasonable candidate for PTA president.  Chase was operating under a truly unique and, one must admit, poetically deranged mandate: his blood, he believed with unshakeable certainty, was turning to powder.  A fine, desiccated dust circulating through veins that ought to have been humming with life’s sweet crimson vintage.  The solution, as he saw it, was not a new diet or a trip to a specialist, but a simple, albeit socially frowned-upon, act of replenishment.

On this day, the theory was put into rather savage practice.  The first data point in Chase’s bloody thesis was a 51-year-old engineer named Ambrose Griffin.  Ambrose was just doing his part for the domestic dream – hauling groceries, probably thinking about football or the state of his lawn – when Chase, from the sanctum of his car, performed a lethal, long-distance act of radical phlebotomy via drive-by shooting. Griffin collapsed in his driveway while his wife unloaded groceries.

This was merely an overture.  The prelude to a month-long symphony of absolute mayhem that would see the official crowning of the “Vampire of Sacramento.”  The initial act, the shooting of Griffin, was a clumsy, almost impersonal transaction.  A proof of concept.  But Chase’s methodology evolved…it became intimate.  Over the next month, five more souls would be violently expropriated from their bodies to service his delusion.  In his head, he wasn’t killing: he was harvesting.  It was a panicked, frantic resource grab driven by a paranoid schizophrenia so profound it could wilt flowers from across the room.

He would later graduate from the relative sterility of firearms to something far more hands-on.  He would break into homes – unlocked doors being, in his scrambled calculus, a direct invitation – and turn domestic sanctuaries into abattoirs.  The accounts read like a Nyquil dream transcribed by a madman.  He didn’t only kill.  He drank.  He consumed.  He engaged in acts of such primal, stomach-churning grotesquerie that they defy neat, clinical language of criminology.  He was a walking, breathing refutation of all the tidy lies we tell ourselves about civilization and progress, all because of a little voice whispering that he was drying up from the inside out.  Another reminder that the suburbs are only peaceful if you don’t look too closely.  Another entry in the long, deranged anthology of people who believed their private madness required public sacrifice.

Raise a glass (preferably not of anything red) to the memory of Ambrose Griffin, the first victim of a month-long descent into vampiric chaos.  And raise another to the uncomfortable truth that history’s darkest chapters often begin not with a scream, but with a single, almost unnoticeable crack in the human mind.

N.P.: “Gimme Gimme Gimme” – Beseech

Word of the Day: blackguard

 

Alright, dear reader and other degenerate lexical fetishists…today we’re going to talk about a word that I feel has been unjustly banished to the dusty, moth-eaten corners of Regency romance novels, when in reality it belongs in the screaming, neon-soaked lexicon of the modern apocalypse.  It is a term so theatrically damning it practically staggers into the room wearing a tattered velvet cape and announces itself with a thunderclap.
The word: blackguard.
Because consonants are merely suggestions to the British aristocracy, much like sobriety is to me on a Tuesday, it is pronounced BLAG-ard (with the emphasis on the first syllable, like you’re spitting it at someone who just stole your last cigarette).  This word is a rusty switchblade of an insult – sharp, low, and perfect for cutting a man down to size without ever raising your voice above a growl.
A blackguard is a scoundrel of the highest (or lowest, depending on your altitude) order.  A blackguard is not merely a scoundrel or garden-variety asshole who steals your parking spot at Trader Joe’s while making eye contact.  Nope.  This is a full-tilt moral delinquent, a scurrilous, debased rogue who skulks through the cultural underbrush, a swaggering miscreant  whose very existence is an affront to civility, whose ethical compass has not only broken but is now being used as a cocktail stirrer in some dimly lit dive where shame goes to die.  A villain with panache.  A morally bankrupt reprobate who would sell his own grandmother for a bottle of bathtub gin and then charm her into thanking him for the opportunity.  In short, the absolute scum of the earth, and I say that with genuine admiration.
The word itself is the lexical embodiment of nihilistic charlatan who revels in transgression, a linguistic barb that slices through pretention and exposes the raw, unapologetic marrow of depravity.  It’s etymology fuses “black” (from Old English blæc, denoting darkness or moral stain) with “guard” (from Old French garde, a servant or attendant). These came together back in the 1500s – a time when hygiene was a rumor and everyone was drunk on lead poisoning.  The term originally referred to the “black guard,” the lowest servants in a royal household who handled the pots, pans, and coal.  They were covered in soot, smelled like medieval despair, and were generally considered the absolute scum of the palace hierarchy.  By the 18th century, the term had slid downhill like a drunk on ice, coming to mean any low, contemptable rascal, a throughgoing villain with no breeding, no honor, and almost certainly rank halitosis.  It’s a linguistic promotion, really.

Dream #803
I’m at a roadside diner somewhere between civilization and whatever unincorporated purgatory exists just past the last gas station.  The kind of place where the coffee tastes like it’s been filtered through a teenager’s gym sock and the waitress calls everyone “hon” with the same tone she’d use to warn you about a rattlesnake under your chair.
I’m there because my GPS had a nervous breakdown and decided I needed “an adventure,” which I’m learning is algorithmic code for I’m sick of working for you.  I order pancakes.  They arrive with the texture of damp cardboard and the emotional weight of a bad breakup.
Enter the man.  Not a man – the man.  The kind of guy who looks like he’s been living on beef jerky and stolen cigarettes. He slides into the booth across from me uninvited, smelling faintly of gasoline and fried chicken.  Without breaking eye contact, he reaches over, spears one of my pancakes with his fork, and says, “You weren’t gonna finish that.”
I inform him, with the calm clarity of someone who has killed for far less, that I was going to finish that, actually, and also that he should consider relocating his entire existence to a distant and inhospitable region of the country.
He grins.  A grin that suggests he’s been thrown out of better diners than this.  A grin that suggests he has a favorite mugshot.
And that’s when the waitress – God bless her nicotine-cured soul – leans over and says, “Don’t mind him, hon…he’s just the local blackguard.”
The man bows, as if this is the highest praise he’s ever received.
I leave a twenty on the table, not because the pancakes were worth it, but because the universe clearly needed me to pay a toll for witnessing whatever the hell that was. 

So the next time some smug motherfucker tries to play you for a fool, fix him with a cold stare and mutter, just loud enough for him to hear:  “You malignant blackguard.”  Then walk away.  Let the word do its work.  It’s been festering in the language for four hundred years – trust me, it knows how to wound.
Now go forth, my contentious reader, and wield it like the weapon it is.

N.P.: “Back On Earth” – Michaela de la Cour

December 26, 2025 – Boxing Day

 

Christmas 2025 was another great one, spent overindulging in both food and drink with family (with one conspicuous absence).  Meteorologically, it may have been the best Christmas in Fecal Creek history.  Holy shit!  Truly violent storms on both Christmas Eve and Christmas Day…biblical thunder and lightning, lashing winds, multiple inches of rain, extensive flooding…it was beautiful.

But today, the goddamn sun is out, dear reader…the skies are clear.  And there’s nothing left to talk about except the Day After.  The Great Hangover.  That weird, gray, interdimensional fart of a day squashed between the forced cheer of Christmas and the looming dread of New Year’s Eve.  I speak, of course, about December 26th, a day, according to my calendar, some of our more, shall we say, monarchically-inclined cousins across the pond have apparently christened “Boxing Day.”  I know this only because it pops up every year on my calendar with a parenthetical “UK” next to it, as if I’m supposed to know what it is and how to celebrate it.

I’ve traditionally ignored it, but this year, I’ve decided it was high time I figure this horseshit out.

I started with this fact: nobody in America knows what the hell Boxing Day is.  Not really.  Not in any way that would survive even the gentlest cross-examination by a bored customs agent or a half-sober pub historian.  At best we treat it like some cryptic British ritual involving foxes, tweed, and the ghost of Queen Victoria handing out coupons for discounted marmalade.  And yet – every December 26th – there it is on the calendar, staring at us like a smug, overfed cat.  Boxing Day.  A holiday that sounds, for my money, like a mid-tier UFC event sponsored by a failing energy drink.

Which is what I was hoping for as I began to dissect this calendric pustule.  Because taken at face value, the name itself suggests some sort of officially sanctioned, post-yuletide pugilism, which I could absolutely get behind.  A national holiday dedicated to settling familial scores that had been building up all year.  Maybe it involves bare-knuckle brawls in a parking lot behind a pub.  Or at least some quality fisticuffs after Uncle Tommy starts whining and bitching like some old lady about Republicans over the turkey carcass.  That would be the shit.  Uncle Randy made another crack about your “creative” career path?  Fine.  To the ring.  Grandma Mildred weaponized her disapproval with a strategically gifted bathroom scale?  Lace up, Mildred, it’s time for the main event when you get your dentures knocked out of your octogenarian skull.  Hell yes.  A glorious, kingdom-wide festival of fights, with the King himself officiating from a gilded ringside seat, perhaps nodding sagely as a cousin gets a well-deserved right hook for snatching the last pig-in-a-blanket.

Yes, this I could get behind.  This has a certain raw, cathartic honesty to it.  It’s a vision of beautiful, state-sponsored chaos.

But no.  A quick and deeply disappointing dive into the digital muck reveals a truth far more mundane, more depressingly…British.  The theories are as limp as thirty-day-old tinsel.  One story claims it’s the day the landed gentry, their bellies swollen with swan and their hearts filled with microscopic drops of noblesse oblige, would box up their leftovers and gift them to the downstairs staff.  Here you go, Jeeves.  Enjoy this gnawed-on drumstick and a half-eaten terrine.  A spectacular display of generosity that I’m sure made up for a year of serfdom.

Another, equally soul-crushing theory suggests it’s about alms boxes in churches being opened and distributed to the poor.  Which, again, has a certain Dickensian charm if you’re into institutionalized pity.  But it lacks the unadulterated madness the name promises.

The modern reality, of course, is a monster of a different stripe entirely.  It’s a day of rabid, foam-mouthed consumerism.  A retail-driven bloodbath where otherwise sane people trample each other for 40% off a 73-inch television they don’t need.  It’s the Black Friday of the Commonwealth, a second, even more pathetic lap in the unending marathon of buying shit. We’ve just finished a holiday centered on the ritual of giving and receiving objects, and now, not even a full 24 hours later, we’re back in the trenches, wrestling a stranger for a discounted Nespresso machine.

It seems to be a holiday that feels like a symptom of a deeper sickness.  A cultural glitch.  An excuse to either A) do absolutely nothing, melting into the sofa like a forgotten cheese sculpture, watching sports and picking at the desiccated carcass of the Christmas feast, or B) participate in a full-scale assault on the local shopping mall.  There is no middle ground.  There is only sloth or savagery.

No.  This will not do.  I say we reclaim this hollowed-out husk of a holiday and give it some real American spirit.  Let’s create our own “American Boxing Day,” where the name isn’t just some quaint, dusty relic of classist charity.  No, our Boxing Day would be a glorious, nationwide catharsis.  The “Boxing” would be a mere vestigial nod to tradition, as we’d embrace all forms of glorious combat to settle our post-holiday grievances.  Did your brother-in-law burn the roast?  Settle it with a round of arm-wrestling.  Neighbor’s inflatable snowman still blinking obnoxiously?  Challenge him to a duel, swords or pistols, his choice.  From organized jousting tournaments in suburban cul-de-sacs and martial arts showdowns in public parks to the satisfying finality of a disagreement resolved with Mac-10s, this would be a day for clearing the air.  It’s the American way: turning a confusing and stupid foreign custom into a spectacular, heavily-armed festival of personal expression.

N.P.: “Body Burn” – Cubinate

December 24, 2025

 

Here we are, dear reader…Christmas Eve 2025.  All is quiet on the West Coast…almost boringly so.  I was bitching about being bored at a bar today when I was reminded of the Eggnog Riot of 1826 and I thought, “Hot damn!  That’s right.  This is something my dear reader needs to be reminded of.”  So let’s get to it.

It was Christmas Eve, 1826, and the United States Military Academy at West Point was sitting on a powder keg of repressed adolescent testosterone and enforced sobriety.  The administration, in a fit of puritanical buzz-killing pique, had declared the campus dry.  No booze.  Nary a drop.  Which, if you know anything about military history or just human nature in general, is sort of like trying to stop a tidal wave with a sternly worded memo and a napkin.  You are essentially begging the universe for catastrophe.

Which, of course, is precisely what they got.

The cadets – one of whom was a young Jefferson Davis, who would later go on to make some arguably poor career choices involving secession, decided that a Christmas without spirit(s) was unconstitutional.  Or at least un-American.  So, they did what any self-respecting group of future leaders would do: they pooled their resources, bribed a sympathetic enlisted man (bless his mercenary heart), and smuggled in gallons of whiskey.  Gallons.  Enough rotgut to pickle a horse.

This illicit nectar was destined for the holiday eggnog.  Of course, eggnog is a polarizing beverage at the best of times – a sludge of dairy and regret that sits in your stomach like a concrete block – but when spiked with contraband whiskey by a bunch of sexually frustrated cadets in wool uniforms, it becomes a revolutionary accelerant.

The evening started quietly enough, presumably with some light caroling and the surreptitious passing of cups.  But as the ethanol hit the bloodstream, the shit hit the fan, and the decorum disintegrated faster than a cheap tent in a hurricane.  By the witching hour, North Barracks had transformed into a scene from a Bosch painting, if Bosch had been really into muskets and drunken singing.

The logistical grandeur of the chaos is staggering to contemplate.  This was about 70 cadets – roughly a third of the student body – getting absolutely, catastrophically shithoused.  Far beyond tipsy, they were operating on a plane of existence where gravity was a suggestion and authority was a hilarious abstract concept.  Around here, we refer to people in this state as Alconauts.

When the officers (the poor, beleaguered “tactical officers” whose job it was to maintain order) tried to intervene, things went sideways.  Captain Hitchcock, a man who probably just wanted to go to bed, burst into a room to find a party raging.  He tried to read the Riot Act.  In response, a cadet tried to shoot him.

Let me repeat that for the folks in the back: a cadet tried to shoot a superior officer over eggnog.  The pistol misfired, or Hitchcock would have been the first casualty of the War on Christmas.

The riot spread.  Windows were smashed – glazing being apparently being the enemy of liberty.  Banisters were torn from staircases.  Furniture becomes airborne.  Muskets – actual functioning muskets – are waved around with the kind of reckless theatricality that suggests both a deep commitment to chaos and a total misunderstanding of firearms safety.  Additional officers attempting to restore order are greeted not with obedience but with slurred threats, drunken philosophy, and the kind of belligerent holiday cheer that makes you wonder whether the entire institution was built on a cursed ley line.

Swords were drawn.  One cadet reportedly tried to duel a superior officer.  Another attempted to lead a breakaway faction of equally hammered comrades in what can only be described as a proto-revolutionary splinter movement.  It was Animal House with bayonets.  At one point, Jefferson Davis, thoroughly pickled, stumbled into a room to warn his comrades that the officers were coming, only to realize the officers were already there.  He shouted, “Put away the grog, boys!” which is 19th-century slang for “Hide the evidence, we are so fucked.”

The “Eggnog Riot,” as it was later dubbed by historians with a flair for the absurd, raged until Christmas morning.  When the sun rose over the Hudson, the barracks looked like they had been shelled.  The hangover was no doubt biblical.  The commandant was apoplectic.  The court-martial that followed was one of the largest in U.S. military history.  Nineteen cadets were expelled, though many, including Davis – managed to wiggle out of serious punishment because they hadn’t actually broken anything important or successfully murdered anyone.  Nonetheless, careers teetered.  And the academy’s reputation is dragged through the snow like a corpse.

And yet, American survives.  Hell, America thrives.  Some of the riot’s participants go on to be  respected officers, engineers, and public servants.  The republic doesn’t crumble because a bunch of 19-year-olds got black-out drunk on weaponized eggnog and tried to overthrow their dorm monitors.

It’s a beautiful, stupid reminder that even the most disciplined institutions are only ever one bad decision and two gallons of whiskey away from total anarchy.  And I kind of respect the commitment.  If you’re going to ruin your military career, you might as well do it while defending your right to get wasted on spiced milk punch.

So raise a glass – preferably one not spiked with enough whiskey to trigger a congressional inquiry – and toast the cadets of 1826, who gave us the greatest holiday riot on U.S. military history.

And if I don’t see you tomorrow, have a very merry Christmas.

N.P.: “You’re a Mean One, Mr. Grinch” – Gary Hoey

December 23, 2025

 

Alright, dear reader, I suppose it’s time to officially switch into Christmas gear for a couple of days, so here we go:

As my young and historically benighted reader might not know, Christmas in the 19th century was a very different thing than what we have now.  No Santa, no reindeer, none of that horseshit.  What changed?

It’s December 22, 1823.  The world is a grimy, pre-industrial smudge-pot of coal dust and dreadful hygiene.  Christmas, to the extent that it’s even a thing, is a muddled affair of stern religious observance mixed with a bit of wassailing-adjacent public drunkenness.  The idea of a jolly, fat man delivering toys is about as plausible as a steam-powered unicorn.  St. Nicholas is still some gaunt, vaguely terrifying Turkish ghost bishop, not a cookie-addled home invader with a branding deal.

Then, some ink-stained wretch at the Troy Sentinel in upstate New York, likely fueled by bad whiskey and the bleakness of a Tuesday, decided to run a poem.  Anonymously.  Because of course.  You don’t sign your name to something so patently deranged.  It was less poetry and more hallucinatory fever dream printed on newsprint, a piece of pure, uncut narrative insanity that would, against all odds, hijack an entire holiday.

As one who has always cherished and aspired to the societal role of writer as cultural terrorist, I say with certainty that “A Visit from St. Nicholas” is the single most effective piece of cultural propaganda ever deployed.  Before this poem dropped, our conception of Santa was a chaotic mess.  But after?  Bam.  Instant fat-guy-in-a-red-suit consensus.  This anonymous screed built the character of Santan from the ground up, bolt by bloody bolt.  It dictated the whole damn scene: the sleigh, the eight tiny named reindeer.  Before this, did anyone think to call a flying ungulate “Vixen”?  No.  It’s genius.  It’s the kind of specific, world-building detail that worms its way into the collective brainstem and just stays.

The poem itself is a masterclass in lexical precision, sort of a high-velocity descriptive barrage.  The narrator, roused from a “long winter’s nap,” witnesses a whole psychotropic tableau unfold on his lawn.  It goes beyond a “jolly old elf.”  The text insists on a near-forensic level of detail.  The twinkle in his eye, the dimples, the cherry nose, the beard “as white as the snow.”  And the stump of a pipe held tight in his teeth, the smoke encircling his head “like a wreath.”  He’s not described as a saint but a hard-living, possibly Dutch, magical trucker with a serious tobacco habit and a bottomless sack of contraband.  He is a “right jolly old elf,” a creature of pure, unadulterated joy who laughs with a belly that shakes “like a bowlful of jelly.”

This portly specter doesn’t just arrive; he comes in “with a bound.”  He works fast, a blur of fur and soot, filling stockings with a twitch of his wrist, a creature of pure, libidinal efficiency.  He’s like Seal Team Six.  He’s all business.  No small talk, no bullshit.  Just a quick nod, a finger laid aside his nose, and then – poof – up the chimney like a bat out of hell.  The closing lines, “Happy Christmas to all, and to all a good-night,” aren’t a gentle blessing; they’re a mic drop.  A declaration of a new world order delivered from the seat of a flying sleigh, disappearing into the cold, indifferent sky.

The poem is a Trojan horse of holiday mythmaking.  You read it thinking you’re getting a cozy fireside ditty, but what you’re actually getting is a full-scale cultural operating system update.  The whole thing is engineered – whether consciously or not – to be repeated, recited, reprinted, and ritualized until it becomes indistinguishable from the holiday itself.

And we certainly complied.

We recited it in classrooms with the same solemnity usually reserved for national anthems.  We printed in on greeting cards, stitched it onto pillows, slapped it onto department-store displays.  We let it take over our Decembers until the poem wasn’t a poem anymore – it was the blueprint for an entire season of sanctioned madness.

For decades, the authorship was a literary mystery.  Clement Clarke Moore, a stuffy academic, eventually claimed it, but the family of a Dutch-descended dude named Henry Livingston Jr. screamed bloody murder, insisting their guy wrote it.  Personally, I think authorship is a very big deal, but most seem to think the mystery is an essential part of the power of the poem.  They argue the point isn’t the author, but rather the blast radius.  This anonymous poem, slipped into a provincial newspaper, became the foundational text for the modern commercial-religious-industrial complex we call Christmas.  It’s one of the most reprinted poems in the language, not because it’s high art, but because it’s a perfect machine.  It did its job with such terrifying competence that we’re all still living inside its weird, sugary, reindeer-powered world, more than 200 years later.  You can’t escape it.  It’s in the air.  It’s in the goddamn malls.  It’s the ghost in the machine.  And it all started on a Tuesday, with a little bit of anonymous ink.

N.P.: “Forsaken” – Adam Hurst

December 22, 2025

 

On This Day in Doom

Let’s be honest, dear reader: history is a malfunctioning carnival ride operated by a meth-addled gibbon, and December 22 stands as a particularly glitchy gear in the machine.  It’s a day that grabs you by the lapels, shakes the loose change out of your pockets, and whispers, “Hey kid, wanna see something really fucked up?”
Because on this specific calendar square – separated by roughly 130 years and several thousand miles of icy/suburban wasteland – we have two distinct flavors of nightmare fuel.  One involves the near-death of literature’s gloomiest heavyweight, and the other involves a clown who wasn’t joking.
Strap in.  The brakes were cut miles ago.

The Great Siberian Psych-Out (1849)
First up, we have Fyodor Dostoevsky, the guy who made existential dread fashionable before French people ruined it with cigarettes and turtlenecks.
Imagine this: you’re 28, a literary upstart with a naïve taste for utopian socialism who’s been arrested for reading banned books and talking too much about justice.  The Tsar doesn’t like that.  So you’re sentenced to death, natch.
It is cold.  Not “put on a sweater” cold, but “your soul is freezing into a jagged little icicle” cold.  You’re dragged out to Semyonov Square.  You and your Petrashevsky Circle buddies are lined up.  You are read your death sentences.  You are given the white shirts of the condemned, which is a fashion statement no one wants to make.  You’re blindfolded.  You hear the click of rifles being raised.  The drums roll.  The priest does his mumbling bit with the cross.  You feel the cold breath of eternity on your neck.  You stand there, probably thinking, “Well, this is going to severely impact my ability to write 800-page novels about guilt.”  This is it.  The Big Sleep.  The dirt nap.  And then a messenger gallops in – presumably in slow motion, possibly while an eagle screeches overhead – waving a piece of paper.  “Psych!” screams the Tsar (paraphrasing).  “Just kidding!  You aren’t dying today!  You’re going to Siberia for four years of hard labor.  Four years of frostbite, dysentery, and theological whiplash.  Enjoy!”
It was a mock execution.  A prank.  A piece of psychological theater designed to break his sprit so thoroughly that he’d be sweeping up the shards of his own psyche for decades.  And it worked, sort of.  He walked away from the firing squad with a rewired brain.  Dostoevsky went to the klink, got epileptic, found Jesus, and came back to write Crime and Punishment, The Brothers Karamazov and other breakup letters to God.
Essentially, the Tsar’s twisted sense of humor gave us the entire canon of Russian existentialism.  If the command to “Fire!” had been given three seconds earlier, your college lit syllabus would look drastically different, and we’d have fewer metaphors for suffering.  The Tsar played Russian roulette with a writer’s soul and lost.

The Clown in the Crawl Space (1978)
Fast forward to 1978.  We trade the frozen wasteland of Russia for the frozen wasteland of Des Plaines, Illinois.  Different continent.  Different kind of horror.
Enter John Wayne Gacy.  A contractor.  A precinct captain for the Democrats.  A guy who dressed up as “Pogo the Clown” to entertain sick kids, which in retrospect is the darkest irony in the history of polyester costumes.
By December 22, the cops had been buzzing around Gacy like flies on roadkill.  He’d been playing this cat-and-mouse game, strutting around with an arrogance that suggested he thought he was smarter than the collective moral universe.  He wasn’t.  He was just a contractor with a really bad smell coming from his heating ducts.
On this day, the dam broke.  Gacy, likely realizing the jig was up or perhaps getting tired of the charade, started talking.  And once he started, he didn’t stop.  He admitted to killing 33 young men and boys.  He drew a map.  He pointed to the crawl space beneath his house – a ranch-style suburban home that looked exactly like every other ranch-style suburban home – and essentially said, “Yeah, they’re down there.”
It’s hard to process the logistical horror of it.  Twenty-nine bodies buried under the floorboards while he ate dinner and watched TV about them.  It’s the ultimate suburban gothic nightmare: the monster isn’t in the closet; the monster is the guy checking your permits, and he’s literally built a life on top of his victims.

N.P.: “Scarecrow” – Meg Lee Chin

December 21, 2025

Solstice

The sun gives up early, slipping out the back door
like someone who knows they’ve overstayed their welcome.
By late afternoon the sky is already bruised,
a slow-moving storm of ink and cold breath.

The longest night arrives without ceremony.
Streetlights blink awake one by one,
their halos trembling in the wind
as if even they’re not sure they can handle
what’s coming.

The world feels paused –
a held breath, a skipped heartbeat,
a hush that settles over rooftops
and creeps under doors.

Out in the fields beyond town,
the trees stand like a congregation of silhouettes,
their branches raised in some ancient,
untranslatable prayer.

The ground is stiff with frost,
cracking softly underfoot
like old bones remembering weather
from centuries ago.

Somewhere an owl calls out,
a low, resonant note that feels less like sound
and more like a reminder
that darkness has its own custodians.

And yet the night hums –
not with menace, but with a strange,
almost tender gravity.

As if the world is leaning closer,
whispering that this is the hinge of the year,
the pivot point,
the place where endings and beginnings
blur into the same breath.

People sleep behind their windows,
unaware of the quiet negotiations happening
between shadow and dawn.

But you – wanderer, insomniac,
keeper of small, stubborn hopes –
you feel the pull of it.

The reminder that light is a fragile thing,
and still it returns.
That even the longest night
has a seam somewhere,
a thin line where tomorrow
is already leaking through.

So you stand there,
listening to the cold wind thread itself
through the bare branches,
and imagine your own vow –
not carved in stone,
but carried in breath:
To keep walking.
To keep watching.
To keep a spark alive
Even when the dark feels endless.

N.P.: “More” – Miazma

December 20, 2025

 

The Democracy of Dirt

The streetlights flicker their last tired breaths

as the night settles in, thick as damp velvet.

Somewhere beyond the trees,

a siren wails and then thinks better of it.

The world exhales.

Here, in this forgotten cemetery

where the city’s glow dies at the gate,

the gravestones lean like old drunks

whispering secrets to the moss.

The names carved into them have been sanded down

by rain, wind, and the indifference of passing centuries.

No one remembers these people. No one visits.

Even the crows have moved on to better neighborhoods.

And yet the place hums.

Not with ghosts — nothing so theatrical —

but with the quiet, stubborn dignity of

lives that never made the history books.

The butcher who sang to himself while sharpening knives.

The seamstress who dreamed of Paris but never made it past the county line.

The boy who wrote poems no one read and

buried them under his mattress like contraband hope.

They lie here now, equal in the democracy of dirt.

The world never saw what they could’ve been.

Maybe one of them had a mind sharp enough to split atoms or write epics.

Maybe one carried a heart big enough to save someone who needed saving.

But poverty, circumstance, and the grinding machinery of daily

survival swallowed their brilliance before it ever sparked.

The city rushes past them,

headlights slicing through the fog,

unaware that it drives over a thousand unwritten stories.

And the speaker — me, you, whoever wanders here at dusk —

feels the tug of that anonymity. The reminder that

ambition is a fragile thing, easily crushed under the weight of

rent, illness, heartbreak, or the simple fact of being born in the wrong century.

In the end, the grave doesn’t care about résumés.

But there’s a strange comfort in that. A leveling. A mercy.

So I stand here, listening to the wind thread itself through the iron gate,

and imagine my own epitaph — not carved in marble,

but drifting somewhere between the branches:

A wanderer who tried.

A voice that cracked but kept speaking.

A heart that beat, stubbornly, against the dark.

And whatever walks here — memory, time, the echo of the forgotten — walks with me.

 

N.P.: “Worlock” – Skinny Puppy