Monthly Archives: November 2025

November 3, 2025

I’ve been sitting in this chair, typing, for so long I can’t remember the last time I could feel my ass.  Totally numb.  Maybe it got pissed off and left.  Nobody’s talking.  My Apple Watch has been chirping and buzzing and whining and bitching for hours now, giving my dire warnings about needing to stand the fuck up in order to avoid death by pulmonary embolism.  Alas.  Occupational hazard, I suppose.  Never mind.

I’ve been reading a lot of local history recently…it’s surprisingly violent.  Lots of gun fights, stagecoach robberies, showdowns…it was the Wild West.

Last night I was reading about this town a couple of dozen miles up the hills from where my ass is presently, seemingly, glued to this chair, called Copperopolis.  And on this day in 1883, there was badassery.

Dig, if you will, the picture, dear reader: the air hangs thick with the promise of gold dust and low-grade desperation, a uniquely Californian scent.  And somewhere in this sunblasted landscape, a man of letters, a gentleman of the road, is preparing his final act. There were plenty of roadside thugs waiting to bludgeon a driver for a his pocket watch (hell, there are even more of them now…California’s a shithole).  No.  This is Charles Boles, or maybe Bolton, or maybe some other name entirely, but known to the pants-wetting couriers of Wells Fargo as Black Bart.  A childhood role model of mine, he always seemed to understand that crime, true crime, is performance art.  Yes, he was a stagecoach bandit, but he was also an author, a character of his own meticulous creation.  Dapper, they said.  Never fired a shot, they said.  They said he wielded politeness like a weapon and poetry like a business card.  He robbed people with panache…just by being that badass.

Imagine it, man…the grinding wheels of the stagecoach, the exhausted breath of the horses, the sudden, theatrical appearance of a man in a flour-sack mask.  He’s not brandishing a cannon; he’s projecting an aura.  An aura that says, I am infinitely more interesting than you, and I’ll be taking your money now.  He robbed 28 of these things.  Twenty-eight.  All without so much of a hint of the violence that defined his contemporaries.  He was an artist working in the medium of highway robbery.

And like any good writer, he couldn’t resist leaving a note.  After this final smash-up, he left behind a fragment of his particular brand of doggerel, a little literary fuck you to the establishment he routinely plundered: “Here I lay waiting in ambush to make that goddamn coach a smash…”

The thing that finally brought that curtain down on our poet, bandit wasn’t something like a dropped pistol or a careless fingerprint.  It was a laundry mark (a tiny, coded symbol used back then) on the handkerchief he wrote his poem on.  Ultimately, this most prolific stagecoach robber was undone by his dry cleaning.

They caught him, of course.  Sent him away.  He did his six years, walked out of prison a free man, and then – poof.  Vanished.  He dissolved back into the American ether, leaving behind nothing but a string of perfectly executed robberies and a handful of terrible poems.  He became a ghost, a myth, a character who wrote himself out of his own story at the perfect moment.  I dunno…I thought it was cool.

N.P.: “Hell in the Hollow” – Gravel N’ Bones

November 2, 2025

Well, shit, dear reader…here we are again, you and I, caught in the temporal crossfire of a twice-yearly madness so profoundly stupid, so breathtakingly asinine, that it beggars belief.  We have just participated in that pitiful ritualistic act of national self-sabotage known as Daylight Saving Time (DST), a collective delusion that suggests, apparently, that we can somehow cheat the sun by dicking around with our clocks.  It’s a cosmic prank played on a continental scale, and the punchline, dear reader, is us.  Every single one of us, bleary-eyed and clutching our coffee like a life raft, stumbling through a Monday morning that feels like a Sunday night that’s been mugged in a dark alley. Daylight Saving Time is a flaming bag of legislative dogshit left on the doorstep of reason.  It’s the kind of idea that sounds clever if you’ve just huffed a gallon of leaded gasoline and decided clocks are your enemy.  Twice a year, we engage in this mass psychotic episode where we pretend that time is a rubber band we can stretch to fit our delusions.  And now I’m hearing some lobotomized time cultists want to make this madness permanent?  Jesus.

Let us, for a moment, peel back the layers of this particularly rancid onion.  I’ve always been told, often with the kind of condescending pat on the head reserved for small children and large dogs, that this is about saving daylight.  Saving it from what, exactly?  Is the sun on a payment plan?  Are we in danger of celestial foreclosure if we don’t hoard our precious photons?  The whole premise is a monument to human arrogance, the idea that we can bend the unyielding physics of planetary rotation to our will by collectively lying to ourselves about what time it is.

The arguments propping up this chronological heresy are so flimsy they’d disintegrate in a light drizzle.  Most members of our society are so slavishly accepting of what they’re told, they’ve never even thought to ask why put ourselves through this nonsense twice a year.  But if they did ask (I was demanding answers when I was 6, and still have not heard anything that makes any sense whatsoever).

First, there’s the grand old myth of the farmer.  Oh, the noble farmer!  Picture him, dear reader.  Straw hat, single piece of wheat dangling from his lips, rising with the roosters to till the soil.  The narrative is that DST gives this salt-of-the-earth hero more daylight to work his fields.  This is, to put it mildly, utter horseshit.  I lived on a farm for a few years, and I can personally attest to this: Farmers, by the very nature of their profession, work by the sun, not by the arbitrary numbers on a clock.  Cows don’t consult a Timex before they decide its milking time.  The sun rises, the work begins.  The sun sets, the work ends (but with lighting and farming equipment being what they’ve been the last several decades, work can go on all night (making this entire argument even more absurd)).  This whole agrarian justification is a folksy lie, a sepia-toned piece of propaganda from a time when people were apparently more gullible.  The truth is, most modern farmers find the time change a disruptive pain in the ass.

Second, consider the abject carnage this temporal shift inflicts upon our collective well-being.  That “lost” hour in the spring isn’t just a minor inconvenience; it’s a society-wide biological assault.  Studies and statistics all show a significant spike in heart attacks, strokes, and workplace injuries in the days following the “spring forward.”  We are, in essence, subjecting the entire population to a mandatory dose of jet lag for…what, exactly?  So that the goddamn suburbanites can get in another nine holes of golf before dusk?  So their kids can play more Little League?  We are literally sacrificing human health on the altar of evening leisure.  It’s a barbaric trade-off, a public health crisis we willingly inflict upon ourselves twice a year with the cheerful idiocy of a lemming convention.  Permanent DST would mean darker mornings year-round, which is a direct assault on your body’s natural light-based calibration system. And traffic accidents surge after the time change, especially in spring when people lose an hour of sleep and drive like caffeinated zombies.  I’m old enough to remember the 1974 experiment with permanent DST, and the wave of children who were hit by cars in the morning darkness  Congress had to yank the plug on that disaster after just a few months.  But sure, let’s do it again – because nothing says “progress” like sacrificing schoolkids on the altar of artificial sunshine.

And third, there’s the energy savings canard.  This is the one the bureaucrats love.  The original justification for DST was wartime fuel conservation.  The idea was that shifting daylight would reduce the need for artificial lighting in the evening, thereby saving precious energy.  It sounds plausible, right?  Logical, even.  Except it’s not true.  Not anymore. That was a century ago, when people lit their homes with whale oil and prayed to the gods of coal.  Today, we’re drowning in screens, air conditioners, and 24/7 electricity consumption.  Studies show DST increases energy use in some states.  Even if managed any miniscule savings in some fictional American city where they only use energy for lighting, that savings would be completely offset, and then some, by increased energy consumption in the dark, newly-colder mornings.  People wake up in the pitch-black and crank up the heat.  They turn on more lights to navigate their pre-dawn homes.  The net effect on energy consumption is negligible at best, and at worst, we’re actually burning more fuel to sustain this farce.  We’re not saving daylight by any stretch, we’re just shifting it around like a drunk trying to rearrange furniture in a burning house.

Which brings us to the real kicker: the Sunshine Protection Act.  A name so Orwellian it makes “hate speech” sound like Shakespeare.  This legislative turd, championed by the kind of politicians who think time zones are a racist, capitalist plot, would make DST permanent.  They want to lock us into permanent chronological dissonance, where the sun is at its highest point at 1 p.m. and school children are waiting for the bus in what feels like the dead of night.  It would be like living in a casino designed by Kafka.  It’s a special kind of madness to want to live your entire life on a lie, to permanently divorce your societal clock from solar reality.  These are people who would try to solve a flood by turning up the radio.  Their solution to a broken system is to make the brokenness permanent.

Sleep scientists, medical associations, and anyone with a functioning frontal lobe advocate for permanent standard time.  But no – some idiots want to keep the clocks jacked forward so they can play golf at 7 p.m. while the rest of us stumble through the morning like jet-lagged wombats.

So, dear reader, let us stand in unified, incandescent rage against this tyranny of the clock.  This is not a quaint tradition.  It’s a mass-scale, twice-yearly exercise in self-sabotage, a solution in search of a problem that no longer exists, propped up by lies and defended by fools.  It’s time to kill it.  Kill it with fire.  Let the clocks be, let the sun do its thing, and let us, for the love of all that’s holy, get some goddamn sleep.  When you wake up, tell your congressperson to stick DST where the sun don’t shine – because that’s exactly what it does.

N.P.: “You Don’t Turn Me On” – Bile

November 1, 2025

Well, thank Christ that’s over.  What a fucking flop!  Last night’s so-called “celebration” was less a perverted bacchanal of costumed chaos and more a pathetic exercise in suburban futility.  Two kids.  Two!  As in, one pair.  As in, not even enough to form a quorum for a haunted game of Duck Duck Goose.  Last year, the Safe House was a sugar-slick war zone – doorbell ringing like a fire alarm, candy flying like ticker tape, tiny goblins and superheroes swarming like locusts.  So naturally, this year, I prepared.  I went full Costco.  Bought enough candy to induce a diabetic coma in a mid-sized village.  And what did I get?  A couple of half assed Elsa knockoffs and a lingering sense of betrayal.

Why the ghost-town turnout?  Maybe the neighborhood kids unionized and declared our porch “too spooky.”  I’d suspect the local HOA banned fun or something, but they were all executed by firing squad in 2023.  Maybe there was a TikTok trend warning that the Safe House was haunted by the ghost of last year’s dentist.  Or maybe the children of Fecal Creek have evolved beyond candy, now subsisting entirely on influencer merch and weed.  Whatever the reason, I’m left with a mountain of uneaten sugar and a soul full of rage.  But never mind all that.

Today, November 1st, is National Author’s Day – a Hallmarkian nod to the ink-slingers, the word-jockeys, the caffeine-addled typists who dare to make meaning out of the chaos.  It’s a day for celebrating literary contributions, which is a polite euphemism for “thank you for bleeding onto the page so we don’t have to.”  And while the usual suspects will be trotted out – your novelists, your poets, your memoirists (those pains in the ass) with their trauma-for-breakfast – today we raise a glass (or a Hustler-branded flask full of rotgut bourbon) to one of the most subversive authors this country ever produced: Larry Claxton Flynt, Jr.

Born in Lakeville, Kentucky, in 1942, Flynt emerged from the American South like a libidinous banshee with a printing press.  He didn’t write novels.  He didn’t write essays.  He wrote Hustler.  And Hustler was a glossy, sticky dirty bomb unleashed directly on the sanctimonious façade of American decency.

Flynt understood something most authors only flirt with in the MFA programs before retreating to the safety of metaphor: that the First Amendment is not a polite suggestion.  It’s a weapon, and in 1988, he proved it.  Hustler Magazine v. Falwell was more like constitutional poetry than a court case.  The Supreme Court ruled that parody – even the kind that makes televangelists cry into their gold-plated bathtubs – is protected speech.

And let’s not forget, dear reader: the man took a bullet in 1978.  A literal bullet.  Not a metaphorical one.  Not a bad review or a mean tweet.  A real, spinal-cord-shattering, life-altering slug from a maniac.  But that didn’t even slow Uncle Larry down.  He kept publishing.  Fram a wheelchair.  With a golden gun and a mouth full of legal venom.  He became the wheelchair-bound warlord of the First Amendment, rolling through courtrooms and editorial meetings like a tank made of smut and jurisprudence.

So on this National Author’s Day, while your sipping your pumpkin spice latte and posting quotes from dead poets on Instagram, take a moment to honor the man who reminded us that literature isn’t always pretty.  Sometimes its profane.  Sometimes its naked.  Sometimes its waving your middle finger while quoting the Constitution.  Larry Flynt bulldozed boundaries, lit them on fire, and published the photos.

Happy birthday, Larry, you old pervert.

N.P.: “Get Em Up” – Paul Oakenfold, Ice Cube