Monthly Archives: October 2025

October 12, 2025

Hot damn, dear reader…though it’s not officially observed until tomorrow here in the States, today was the actual day Columbus discovered America for the Europeans and the world was truly born.

Let’s dispense with the hand-wringing and the insipid, anachronistic moralizing for just one goddamn minute, shall we?  Let’s talk about the moment the world stopped being a fragmented collection of provincial backwaters and became, for the first time, a singular, unified whole.  Of course I’m talking about 1492.  I’m talking about the day a stubborn, possibly half-crazy Genoese navigator dragged humanity, kicking and screaming, into its own future.

Picture it, man…a trio of glorified wooden tubs, the Niña, Pinta, and the flagship Santa Maria, bobbing on an endless, terrifyingly blue expanse of nothingness.  Weeks have turned into a month, then more, the crew a fetid stew of scurvy, desperation, and the kind of mutinous whispers that end with captains getting tossed to the sharks.  The men, a collection of Europe’s finest jail-scourings and debtors, are ready to string up their admiral from the highest yardarm.  They see only a watery grave.  Their admiral, Christopher Columbus, this lunatic with the glint in his eye, sees only destiny.  He has gambled everything – reputation, life, the backing of the Spanish crown – on a hunch so cosmically audacious it borders on psychosis: that he can reach the East by sailing west.

And then, land.  Not Cipango, not the gilded courts of the Great Khan, but something else entirely.  Something new.  A verdant smear on the horizon that resolves into an island he christens San Salvador.  Rather than an oppressive act of cruelty, this was an act of cosmic insemination.  The moment that salty, exhausted boot hit the sand was the Big Bang of the modern age.  It was the point-blank refutation of flat-earth timidity and the glorious, unapologetic affirmation of human will.

This single even, this one man’s refusal to accept the world as it was presented to him, lit the fuse on the Age of Exploration.  It was the gunshot that echoed across continents, waking Europe from its medieval slumber and yanking the Americas into the grand and chaotic narrative of global history.  It was the genesis of everything we now call “globalization” – the messy, brutal, and ultimately sublime collision of cultures, technologies, and ideas that would forge the world we inhabit.

To view this monumental juncture through the pathetic lens of 21-century guilt is to miss the point so profoundly as to be intellectually dishonest.  This was not a tea party.  It was the brutal, beautiful, and necessary birth of a new epoch.  It was the moment history drew a deep breath and roared.  Columbus didn’t simply stumble upon a new landmass; he shattered the old world’s cognitive map and, in doing so, created the very planet we recognize today.  It was, without reservation or apology, the single greatest thing to ever happen.  Period.

And now, for the absurd postscript of our age: the modern “land acknowledgment.”  Jesus.  Nothing says genuine solidarity like a fragile, self-congratulatory recital at the start of every TED-adjacent conference – a kind of liturgical guilt-venting for the overeducated, lightly organic white liberal, performed with the smugness of a yoga instructor who’s read one (1) book about colonialism.  Because why actually do anything when you can stare solemnly at your shoes and mumble how you “honor” the land you’re squatting on, right?  Here’s a radical idea: if you really believed in the cause, you’d sing over your mortgage to whatever tribe most recently claimed the land…hand the keys to your urban colonial compound, and take up residence in your Prius post-haste.  Try that at your next dinner party and watch the laughter – real, nervous, guilty laughter – ricochet around the kombucha bar.  Either give it all back or, for everyone’s sake, spare us the tragicomedy and just shut the fuck up.

N.P.: “I Really Wanna” – Mammoth

October 11, 2025

PARTIAL TRANSCRIPT OF THERAPY SESSION, SATURDAY, 11 OCTOBER 2025, IN THE OFFICE OF DR. KEVIN PEPPER, PH.D.  PARTICIPANTS: DR. KEVIN PEPPER AND MR. JAYSON GALLAWAY, FILE NUMBER 788-2945

KEVIN PEPPER: So what I hear you saying is that you want to go back to not dreaming.
JAYSON GALLAWAY: Goddamn right.
KEVIN: I don’t know of a way to do that.
JAYSON: Well, you better figure it out, because it’s your fault I started dreaming again.
KEVIN: How the hell is it my fault?
JAYSON: Because I didn’t dream for about a decade, then I started seeing you, and I started dreaming again.
KEVIN: Purely coincidence.  You were having a nervous breakdown, and while that was happening, your mind sort of took your capability to dream offline, basically.  As you recovered, you started dreaming again.  This is actually a really good sign.
JAYSON: It’s a pain in the ass.  I hate it.
KEVIN: Why?  Are you having nightmares?
JAYSON: Not at all.  At least that would be interesting.  At least I think it would.  I don’t think I’ve ever had an actual nightmare.
KEVIN: You reported that once your breakdown started, you had the same dream every night for…
JAYSON: A year and a half.
KEVIN: The same dream?  Remarkable.  And that wasn’t a nightmare?
JAYSON: Nope.  Exactly the opposite.  In that dream, everything was right again.  She was still alive…it was all just a misunderstanding, but everything was okay again.  Then I’d wake up and realize it was just a dream.  What I woke up to was the nightmare.
KEVIN: Jesus.
JAYSON: Indeed.
KEVIN: So what’s pissing you off about your dreams now, if it’s not nightmares?
JAYSON: They’re just irritating.  I keep having the same mundane dream night after night, and it’s just a waste of time.  It stressed me out while I’m sleeping.  And it’s just unnecessary.
KEVIN:  Well, in a sense, you’re right…dreams are just your mind trying to process things that you may not be attending to consciously.  In that sense, they can be fascinating windows into our subconscious…lets you deal with emotions and feelings in a symbolic way, rather than confronting things head on.
JAYSON: I don’t think this is that.  As you know, I have some pretty…complicate feelings, and this doesn’t seem to be addressing those at all.
KEVIN: Maybe I can help make the connection for you.  Tell me about your recurring dream.
JAYSON: This time I’ve had the dream the last two or three nights.  The first night, I arrived in a new city that I wasn’t familiar with.  It was kind of like San Francisco (with which I am very familiar) but not.  It was very labyrinthine, parking on the street, a couple of blocks away from wherever I’m going.  Lots of street lights and light from neon signs and that sort of thing (it’s always nighttime in my dreams), and people everywhere, but they were all strangers and couldn’t help me.  There were a couple of casinos, but it’s definitely not Vegas.  I had (apparently) rented a small apartment, but once I left the apartment, I had trouble finding it again.  That went on for a night or two.  Then, in last night’s dream, I was hanging around with an old friend of mine, a female, but nobody specific, and we got into some arbitrary fight, about which I remember nothing, but I didn’t understand why she was so upset with me and thought the whole thing was an overreaction.  I guess I left, but when I couldn’t find the apartment again, I decided it was time to get the hell out of this weird city and go back home.  But then I couldn’t remember where I parked my car.  I was wandering around the city, looking for anything that looked familiar, but found nothing.  I decided to call my friend for help…
KEVIN: Was this the same friend you got into the fight with?
JAYSON: Yes, so she wouldn’t pick up.  I decided the best thing to do would be to return to the apartment, or at least the area it was located in, and do a block-by-block search for my car, but since I couldn’t find the apartment, I didn’t really know where to look.  So I decided to just walk around and try to find it, but no luck, and I quickly got frustrated and quit.
KEVIN: As you tend to do.
JAYSON: Fuck you.  What do you mean?
KEVIN: Do you not think you get frustrated with things a lot?
JAYSON: Constantly.
KEVIN: And you’re typical reaction seems to be to quit.
JAYSON: Well, I don’t know about that.  I’m pretty frustrated right now, but I’m still sitting here.
KEVIN: We’ll see how long that lasts.
JAYSON: You’re a terrible therapist.
KEVIN: Do you think you’re a good patient?
JAYSON: No idea.  I think I’m the most interesting patient you’ve got.
KEVIN: Based on what?
JAYSON: The dolts I see coming into and leaving your waiting room.
KEVIN: Dolts?  I take umbrage.
JAYSON: Come on…every one of them…suburban housewives trying to figure out why they’re sad.
KEVIN: You don’t know that.
JAYSON: The hell I don’t.  I can hear everything they say…this stupid white noise machine does not compensate for the thinness of these walls.
KEVIN: Really…you can hear in the lobby.
JAYSON: Yes, dumbass…sometime I show up to these appointments early just to hear if maybe anything interesting is being discussed.  It never is.
KEVIN:  [scribbling furiously in his notebook]
JAYSON: Anyway, my dream…where was I?  Oh yeah…so I can’t find the car, I can’t find the apartment…then I realize that I’ve been there for several days, and since this is a big city, the car might have been towed at this point, which would mean that I could look for days and never find it.  Then I decide to use my smartphone to see if it could tell me where I parked, but the phone has strange apps on it, none of which work.  Then I wake up.
KEVIN: [scribbling furiously in his notebook]
JAYSON: ….
KEVIN: Okay…so it sounds like this dream is addressing your feelings around change, uncertainty, and connection.  I think we should focus on what the city, getting separated from the apartment, and the car might symbolize.
JAYSON: Sure, why not.
KEVIN: First, the city.  The city that feels like San Francisco but isn’t could symbolize a situation in your life that feels familiar yet disorienting.  You used the world “labyrinthine” to describe the layout, which is interesting. San Francisco, with its hills, lights, and sort of vibrant energy, might represent a place of creativity, or past experiences.  The fact that it’s “not quite” San Francisco could indicate a sense of being close to something meaningful but unable to fully connect with it.
JAYSON: Go on.
KEVIN: The apartment probably represents your personal space, identity, or sense of security.  It’s a sense of stability, comfort, or “home” within yourself.  The increasingly difficulty in finding it could reflect a fear of losing something important, like stability or control.
JAYSON: This is boring.  Why can’t I find the fucking car?
KEVIN: Cars in dreams often symbolize your ability to move forward in life, your drive, or your sense of autonomy .  Losing your car and being unable to find it might indicate feeling stuck, directionless, or powerless in some area of your life.  The fear of it being towed adds a layer of external forces, outside  your control) potentially taking away your means of progress, which could point to anxieties about circumstances or people undermining your goals.
JAYSON: Hmmm.  Slightly more interesting.
KEVIN: I wouldn’t worry about it always being night in your dreams, or the strangeness of the apps on the phone…dreams are sort of low-budget movies that your mind creates.  Details are left sort of out of focus…they take too much brain power…the purpose of the dream is more symbolic broad strokes, rather than details.  The lighting is dim in most people’s dreams because it’s an easy way to avoid having to come up with details.  Same thing with the apps on your phone…that too much detail for your mind to process while it’s busy creating the other aspects of the dream.
JAYSON: That’s probably true about the darkness of everything, but the cellphone not being able to help me find my car seems more relevant than that.
KEVIN: It could be.  What does the cellphone symbolize?
JAYSON: Don’t start with your cheap Socratic banter with me.  I’m paying you, like, $300 an hour…you tell me what the fucking thing symbolizes.
KEVIN: It quite obviously represents communication.  Resources.  In this case, a problem-solving tool.  It’s strange apps and failure to work could symbolize frustration with your usual methods of navigating challenges, e.g., your tendency to get frustrated and quit.
JAYSON: Your mother.
KEVIN: It might suggest that the tools and strategies you employ in real life aren’t working in a current situation.  They aren’t working as expected.
JAYSON: I appreciate your efforts here, but there isn’t a whole lot that is revelatory.
KEVIN: I’m just working with what you give me.  If you want more interesting analyses, have more interesting dreams.
JAYSON: You clown.  I obviously don’t control these things…they are clearly a waste of time and are just irritating.  Isn’t our time about up?
KEVIN: It is…might I suggest journaling about your dreams and your life?
JAYSON: You might, but I will do no such thing.  Isn’t it lunchtime?  I will instead drink whiskey and ruminate darkly on whether or not I’m getting my money’s worth in these sessions.
KEVIN: Fair enough.  See you next week, at the regular time.
JAYSON: Yeah, I’ll be here.
KEVIN: Have a good week.
JAYSON: Blow it out your ass.

N.P.: “JUST LIKE JOHNNY CASH” – Texas Hippie Coalition

October 8, 2025

To Do India and Pakistan

To Do Rwanda and Congo

To Do Israel and Iran

To Do Cambodia and Thailand

To Do Armenia and Azerbaijan

To Do Kosovo and Serbia

To Do Israel and Hamas

To Do Russia and Ukraine

To Do Cats and Dogs

To Do Cancer and Humanity

 

N.P.: “Undertow” – The Hidden Cameras

October 7, 2025

It’s October, the weather is cool and cloudy with rain in the forecast, the book is coming together sexily, and I’m happier than a pig in shit.  I don’t think I need to remind my dear reader that this is the beginning of the half of the year when my mood elevates, the writing gets better, and everything is just generally, nebulously better (the other half of the year, is, of course, during those hot and rotten months between April and September, during which months I become quite cranky and tend to by prone to long fits of bitching).  The night are getting longer and cooler, and the overall spookiness level is increasing.

Speaking of spooky, guess who kicked the bucket on October 7, 1849?  You guessed it.  The curtain dropped with a fucking thud on the epic, booze-soaked opera of Edgar Allan Poe.  It’s a tad ironic: despite being the man who pretty much invented the modern detective story, his own final act remains the most unsolved, messy whodunit of them all.  No neat and tidy conclusion here…no.  Poe’s exit from this mortal coil was a masterclass in gothic squalor, a final poem written in gutter water and cheap whiskey.

In case you’re fuzzy on the details, let’s rewind the tape.  Four days prior, our man Poe – the architect of premature burials and talking ravens, the illustrious potentate of existential dread (fuck yeah!) – is discovered face-down in the Baltimore muck.  He’s not in his own clothes, of course, but some poor bastard’s ill-fitting hand-me-downs, looking like a scarecrow that lost a fistfight with a hurricane.  He’s delirious, babbling incoherently, and repeatedly calling out for a ghost named “Reynolds.”  It’s exactly the kind of scene you’d expect to find in one of his stories…a perfect, sordid tableau of a live lived on the jagged edge of brilliance and ruin.

And that man knew how to live.  He wasn’t a typical, delicate flower of the literary scene.  Fuck no…this was Poe.  He dueled with critics, swam against the current of public opinion, and funded his own genius out-of-pocket while dodging creditors like a man who couldn’t pay his bills.  He mainlined his opium-laced nightmares directly onto the page, creating worlds of horror that would later inspire whole generations of writers from Lovecraft to King.  He gave us C. Auguste Dupin, the original armchair detective, and laid the foundation for every Sherlock to follow.  He was a literary machine, churning out stories of such psychological depth that they make most modern thrillers look like kids’ bedtime stories.

So what was it that finally punched his ticket?  The official record is a blank stare…the bureaucratic shrug.  So, of course, there are theories: was it rabies?  A brain tumor?  Or was is something far more fittingly sordid?  Keep in mind, Baltimore in the 19th century was a snake pit of political corruption, and election days were notorious for “cooping”  – a practice where unwilling citizens were drugged, beaten, and forced to vote multiple times.  The image of Poe, the ultimate anti-authoritarian, being dragged from polling station to polling station by a gang of political thugs is almost too darkly poetic not to be true.

He died in a hospital bed, still ranting, still lost in the labyrinth of his own mind.  His final words were reportedly, “Lord, help my poor soul.”  A fitting, desperate plea from a man who spent his entire career mapping the darkest corners of the human spirit.  He was only 40.

Fortunately for us, death didn’t silence Poe.  It immortalized him.  It transformed his obituary into the ultimate noir thriller, an eternal riddle wrapped in a mystery inside a bottle of shitty gin.  His end wasn’t a tragedy; it was his final literary contribution.  A perfectly crafted, perpetually maddening, and profoundly badass disappearing act.  Quoth the Raven, nevermore?  Horse feathers.  The bird is still flying.

N.P.: “7th Symphony – Second Movement – Lofi Version” – ClassicFi, Ludwig van Beethoven

October 5, 2025

It’s time to forget the polite fiction that Republicans and Democrats are just two sides of the same coin, both lovingly clutching the Constitution while squabbling over the best way to polish it.  That used to be the case, but it’s become a bedtime story for the naïve and the willfully blind.  The truth is uglier, meaner, and far more dangerous.

Here’s the deal: imagine America as a bus barreling toward a cliff.  The Democrats are gleefully stomping on the gas, cackling like anti-American cartoon villains.  The Republicans are fumbling with the wheel, trying to yank it in the opposite direction, but half of them are too busy apologizing for existing to make much progress.  How the hell did we get here?  Let’s rewind the tape.

Back in 2008, Barack Obama stood on a stage and told us we were five days away from “fundamentally transforming” the country.  Transforming?  That’s a curious word.  You don’t “transform” something you love – you nurture it, protect it, maybe give it a fresh coat of paint.  But you don’t rip it apart at the seams unless you’re planning to build something unrecognizable in its place.  And that’s exactly what the radical Left has been doing: dismantling the cultural, economic, and institutional scaffolding of America, piece by piece, with the precision of a surgeon and the glee of a pyromaniac.

The playbook isn’t new.  Chaos is the goal, revolution the endgame.  Historically, the Left has tried to pit the poor against the rich, but in America, the middle class has always been too big, too ambitious, and too damn comfortable to fall for that.  So they switched tactics.  Inspired by the likes of Herbert Marcuse, they swapped class warfare for identity warfare.  Race became the new battlefield, and the legacy media was more than happy to play along.  Between 2011 and 2019, words like “racist,” “white supremacy,” and “systemic oppression” exploded in usage, not because the world suddenly became more racist, but because the narrative demanded it.

Of course, we can’t forget Obama’s Executive Order 13583, the bureaucratic Trojan Horse that smuggled “diversity, equity, and inclusion” into every corner of the federal government.  From there, it metastasized into schools, corporations, the military – hell, even our local PTA meetings were no longer safe.  What started as fringe ideology is now gospel, preached from every pulpit of power.  The Democrats have been completely hijacked by the radicals, willingly or otherwise.  The party of JFK is now the party of AOC, Bernie, and whatever flavor of chaos is trending on X this week.

What bothers me is that not every Democrat is a card-carrying revolutionary.  Plenty of them are just regular folks, shaking their heads at the madness but still dutifully pulling the lever for the same party that’s driving the bus toward oblivion.  Why would otherwise seemingly intelligent people do this?  Because they’ve bought into the lie that Republicans are worse.  It’s tribalism, pure and simple, and it’s killing us.

Meanwhile, conservatives are stuck in a time warp, arguing policy points as if the other side is at all interested in debate.  Newsflash, dumbass: they’re not.  The radical Left knows exactly what it’s doing.  Open borders.  Defunding the police.  Gender ideology run grotesquely amok.  These aren’t accidents or oversights – they’re deliberate acts of sabotage.  The goal isn’t to fix the system; it’s to break it beyond repair.

It’s time to stop mincing words about the media.  They’re not just complicit; they’re the propaganda arm of the revolution.  They amplify the chaos, suppress dissent, and gaslight the public into thinking this is all normal.  Google’s latest announcement only confirms what we already knew: the game is rigged, and the refs are in on it.

So what’s the solution?  It’s not rocket science, but it’s not easy either.  Educate voters.  I suggest massive reeducation camps, and if those fail, the radical Left should be driven into the sea.  But I understand that might me a bit much for some people (which is basically why I’ll never run for elected office). Fight for fair elections.  And for the love of all that’s holy, stop pretending this is business as usual.  The sooner we recognize the radical Left for what it is – a wrecking crew of failures who can only destroy what they’re incapable of creating, hellbent on tearing down everything that makes America worth saving – the sooner we can slam on the brakes and steer this bus away from the cliff.

Maybe once we’ve stopped the freefall, we can start building something better.  But first, we’ve got to stop the madness.  Because right now, the bus is teetering on the edge, and the driver’s got purple hair and a maniacal grin on their face.

N.P.: “I Won’t Bow Down” – Outlaw Eden

October 4, 2025

Happy Saturday, dear reader.  And what a glorious Saturday morning it is.  I slept my ass off last night.  I’ve been missing a lot of sleep the last few weeks, staying up late or waking up early to work on the book.  And it’s absolutely been worth it, but it’s been not without its drawbacks, the main one being I’m tired all the goddamn time.  So last night was much needed.  Woke up fresh as a fucking daisy.

Speaking of using the night for things other than sleep, the Badass Literary Calendar tells us that on this day in 1941, in the sultry, jazz-soaked, and decadently decaying heart of New Orleans, Anne Rice was born…the woman who would go on to redefine vampires, gothic fiction, and, really, the entire concept of brooding immortality.

Anne Rice conjured her worlds with a floridity that many found to be a bit much, but given her subject matter, I think her rococo style, going on for pages about the décor of a room, worked.  She gave us worlds where the night was always young, the wine was always red (and occasionally hemoglobin-rich), and the existential crises were as thick as the fog rolling off the Mississippi.  She gave us Lestat, the rockstar vampire with a God complex and a penchant for melodrama that made Hamlet look like a well-adjusted life coach.  She gave us Louis, the original sad boy, who could out-emo any eyeliner-wearing, Cure-listening teenager in the 80s.  And she gave us a New Orleans that was equal parts haunted mansion and hallucination, a place where the line between the living and the dead was as thin as one of her overly-described lace curtains.

But Anne didn’t limit herself to vampires.  She tackled witches, mummies, and even Jesus Christ himself with the same fearless, no-holds-barred approach.  She was a literary badass who didn’t give a damn about genre conventions or what the critics thought.  She wrote what she wanted, how she wanted, and in doing so, she inspired generations of writers, readers, and goth kids who finally felt seen.

So today, we raise a glass (or a goblet, if you’re feeling fancy and really want to get into the spirit of things) to Anne Rice.  Her genius, her audacity, and her ability to make the macabre feel downright sexy.  Happy Birthday, Anne.  The world is a darker, more deliciously twisted place because of you.

And to the aspiring writers out there: take a page from Anne’s book.  Write fearlessly.  Write passionately.  And for the love of all that is unholy, don’t be afraid to get a little weird.
Cheers to the Queen of the Damned.  May her legacy live forever – just like her vampires.

N.P.: “A Funeral Of A Provincial Vampire” – Jelonek

October 3, 2025

These goddamn calendar pages are just flying by these days, dear reader.  Suddenly, somehow, it’s October 3rd.  If you’ve been properly maintaining your Badass Literary Calendar, you know today is a day for pouring some out in honor of two absolute juggernauts of the American sentence who decided to check out on this very date, exactly century apart.

First up is George Bancroft.  The O.G. died October 3rd, 1891.  If you were educated before the Indoctrination began, you’d know him as the “Father of American History,” which is a title that sounds as exciting as a purgatorial tax seminar.  This badass decided to write the entire history of the United States, from its grubby colonial beginnings right up to the messy, post-war present of his time.  It’s a multi-volume, life-swallowing epic that he chipped away at for half a century.  Just like we like it: audacious.  It’s the literary equivalent of deciding to build a pyramid by yourself, armed with nothing but a rusty shovel and the caesarian certainty that you, and you along, can wrestle the sprawling, chaotic narrative of a nation onto the page.

Then, exactly one hundred years to the day later, the universe does it again.  October 3rd back in ’38, Thomas Wolfe cashed in his chips.  Dude was a human volcano, spewing forth a torrential lava flow of prose that threatened to consume everything in its path.  And he was not a man of quiet contemplation.  Nope.  He was six-and-a-half feet tall who wrote standing up, using the top of his refrigerator as a desk, scribbling furiously into ledgers.

His book, big behemoth bastards like Look Homeward, Angel, are sprawling, autobiographical fever dreams.  Wolfe seems to be attempting to devour the entire world and spit it back out as art.  He gets the loneliness of being a giant in a world built for smaller men.  His sentences go on for miles, looping and spiraling intensely.

What do these two have to do with each other, other than sharing a birthday?  Not a goddamn thing, I’m guessing.  One was a historian who wrote his nation’s story, and a novelist who wrote his own, but both had a uniquely American brand of ballsy, lunatic ambition.

Pour one out.  For George Bancroft, the architect of a national myth.  Then pour another for Thomas Wolfe, the badass who tried to put the whole human experience into words.  Cheers.

N.P.: “Way Down We Go” – Rev Theory, Art of Dying, ashpvnk

October 1, 2025

Hot damn, dear reader!  Finally, after long last, it is October!  The degree to which this pleases me cannot be overstated.  Honestly, I’m fucking giddy.

There were some dark times over the summer when I doubted we would get here, but got here we did, dear reader.

So here we are again, staring down the barrel of October 1st, a date that hangs in the literary calendar like a loaded question mark, dripping with both high-octane dread and the faint, sweet smell of decay.  A real Janus-faced bastard of a day.  It’s the kind of day that makes you want to pour a tall glass of something brown and unforgiving before the sun has even bothered to punch its timecard, just to steady the hands, but that could be said for any day, lately.

On this day, back in 2013, the big man himself, Tom Clancy, cashed in his chips.  He checked out, shuffled off this mortal coil, and presumably went to that great Situation Room in the sky.  Pour one out.  The architect of the modern techno-thriller, a man who could probably field-strip a nuclear submarine with his eyes closed, left the building.  His books were like weaponized instruction manuals wrapped in plot, and I remain a big fan.  Page after page or acronyms, ballistics data, and the kind of geopolitical chess games that make your teeth ache.  He was the undisputed king of a certain kind of meticulously researched, hardware-heavy America mythmaking.  A legend.

Also on this day, way back in 1915, a quiet, neurotic Czech genius named Franz Kafka unleashed The Metamorphosis upon an unsuspecting world.  While Clancy was building worlds out of steel, sonar, and sheer patriotic will, Kafka was busy documenting the quiet implosion of one.

Think about it, dear reader.  On one hand, you’ve got Jack Ryan saving the world from nuclear annihilation with a clear-eyed certainty that is a refreshing thing these days.  It’s a universe of good guys, bad guys, and the unbelievably cool gear they use to blow each other up.

On the other hand, you’ve got poor Gregor Samsa, a traveling salesman who wakes up one morning to find he has become a monstrous insect.  Not a hero.  Not a spy.  Just a guy, now a goddamn bug.  A giant, disgusting bug.  His big conflict isn’t stopping a war; it’s trying to roll over in bed without his new carapace getting stuck.  His existential crisis isn’t about the fate of nations; it’s about his family locking him in his room and occasionally shoving scraps under the door.

October 1st gives us both the ultimate external thriller and the ultimate internal horror show.  The hero who controls everything, and the victim who controls absolutely nothing, not even his own body.  It’s the duality of the modern condition served up on a single, surreal platter.  One narrative is about mastering the complex machinery of the outside world, and the other is about being utterly betrayed by the simple machinery of your own self.

It’s enough to give a man whiplash.  One minute you’re deep in the Pentagon, mapping out strike patterns, and the next you’re stuck on your back in a dusty room, wiggling your new antennae and wondering if your dad is going to try to kill you with an apple again.  It’s the whole damn human experience, from global domination to personal disintegration, all crashed together on a single autumn day.

So today let’s raise a glass to Tom Clancy, the master of the mission.  And raise another to Franz Kafka, the patron saint of waking up and realizing the mission is FUBAR.  They’re two sides of the same debased coin.

N.P.: “Thor” – Errrilaz